Amirhosein Aghebati; Behjatosadst Hejazi; Seyyed Amir Jahadi
Abstract
Language of god in the most exhaustive empyreal book “Quran” and in apex of literary oration, eloquence and contain, always of foretime had been inspiratory to poets and writers familiar and habitude with divine blessing and indubitable had been fountain many of literary texts especially ...
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Language of god in the most exhaustive empyreal book “Quran” and in apex of literary oration, eloquence and contain, always of foretime had been inspiratory to poets and writers familiar and habitude with divine blessing and indubitable had been fountain many of literary texts especially didactic literature. In sometimes we observe the most impressible of Quran in Persian literature, for example of fifth century until eighth century. Amirkhani is one of the young and capable authors in contemporary period, that has operated more of other authors of Quran to variant kinds in his writings and primarily he is originate new use Quran’s Ayat in the circle of write roman that before him hasn’t prehistory. He moreover fondness and familiarity with Quran, has created new styles in impressible of Quran with literary excogitate. Diversity styles exploitation of Quran’s Ayat in his romans, has been surveyed in two section: Traditionalism styles impressible of Quran & His innovation in impressible of Quran’s Ayat. Innovation in line drawing, innovation in translation of words and image processing with words and Ayat and Innovationin in signs of Quran, are among his exclusive styles in exploitation of Quran. Origin aim of Reza Amirkhani in use this styles in his romans, has been access to new meanings and never his purpose of distort or contempt to holy area of Quran. This research is based analysis quality content of text and society of research text are most important romans of Amirkhani.
Behjatosadst Hejazi
Abstract
Researchers have mostly attended to the relation between the Quran's literary and religious aspects and the compatibility or incompatibility of these two aspects. Quran, as the final miracle, has been the source for literary eloquence to flourish in the Persian language, while at the same time it is ...
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Researchers have mostly attended to the relation between the Quran's literary and religious aspects and the compatibility or incompatibility of these two aspects. Quran, as the final miracle, has been the source for literary eloquence to flourish in the Persian language, while at the same time it is impossible to imitate its own eloquence. Therefore, examples of literary devices like imagery, metaphor, metonym, allegory, emblem, etc. in the Persian language do not have the same nature as the ones in the Quran itself. This holds true the most about personification in the Quran. In the mythical animistic view, the personification of other beings is a kind of imagination. All literary devised in the Quran serve to convey deeper meanings to the human mind, but this explanation does not hold true for personification in the Quran. The main question the present paper strives to answer is how could the metaphorical language in its general sense, as seen in the literary devices such as personification be explained in the text of the Quran?
